Trusted by the world's top companies:
A network or channel refresh: idents, bumpers, promo toolkit
A show open or main title to design
A new series or season that needs a full graphics package
A documentary that needs a graphic language: maps, archival treatments, type
A show or slate to sell, and a sizzle reel to sell it with
You're in the right place if you have...
Set the mood before the story starts
A title sequence tells viewers what kind of world they are entering before the story begins. The typography might feel tense or playful; the movement can suggest the pace of the show. The rest of the broadcast graphics package needs to carry that character into the moments when viewers are reading a name, following a map, or moving between segments.
Those graphics also have an everyday job in the edit. We consider how the look handles different names, images, and amounts of information, then build the agreed elements into an editable toolkit. Your editors can keep using the show's visual language as the episodes and stories change.
What we make
Title Sequences
The show's front door: the five to sixty seconds that set tone, world, and promise. Main titles, opens, and the type systems inside them. We make every second of the opening count, so it still hits on the season finale.
A title sequence is the 5 to 60 seconds that tell the audience what world they're in and why to stay. We design and animate main titles for series, specials, and documentaries - type, imagery, and music working as one promise. We sweat every cut of those few seconds, because viewers feel them every single episode.
Show Graphics Packages
Give your show a distinctive look from opening titles to end credits. Lower thirds, segment bumpers, and animated transitions form one coordinated system, with reusable templates that keep every episode consistent.
Sports & News Graphics
Give every game and story a look viewers recognize. Scorebugs, lower thirds, over-the-shoulders, fullscreens, and breaking-news stingers come together in a broadcast package that keeps information clear and coverage unmistakably yours.
Documentary Graphics
Help viewers follow every turn of the story. Animated maps, timelines, archival photos, and document treatments bring the details into focus, with a visual style shaped around your film.
Sizzle Reels
Get the room excited about what’s coming next. We create sizzle reels for upfronts, TV show pitches, and programming slates, bringing standout footage, motion graphics, music, and sound together in one compelling edit.
A sizzle reel sells the thing before it exists: the show, the slate, the brand, the idea. It's editorial, design, and music compressed under pressure - the highlight reel with a job. We were raised on broadcast pitch culture, and we're passionate about the cut that lands exactly on the beat the room remembers.
Editable Toolkits
Keep the design consistent and the everyday updates simple. Custom motion graphics templates let your editors change names, headlines, and imagery while preserving the show’s look and motion.
The broadcast design process
We build a broadcast graphics package around the program and the people who will use it in the edit. Your brief, references, existing footage, and delivery requirements help establish the direction. We agree on the required elements—from the main title sequence to lower thirds, transitions, bumpers, and full-screen graphics—and develop the design so they belong to the same show.
Once the look is approved, animation establishes the package’s movement and rhythm. The title sequence develops around its edit and music, while supporting graphics are built for the information they need to carry. We consider how names, headlines, and imagery will change between episodes, so recurring elements remain useful throughout production.
Finishing & Post prepares the graphics for your network or streaming platform. Depending on the agreed toolkit, delivery can include rendered elements, editable After Effects projects, and Motion Graphics templates for Premiere Pro. Your editors receive the controls they need to update recurring content, with frame sizes and versions prepared to the production’s specifications.
FAQ
What's in a broadcast design package?
A broadcast design package gives your show a consistent on-screen identity: the title sequence, lower thirds, transitions, bumpers, full screen graphics, credits treatment, and an editable toolkit.
We build the element list around your episodes. Shared typography, graphic style, and motion keep the show recognizable, while flexible templates let editors work with new names, stories, and footage throughout the season.
What does a broadcast design package cost?
Cost depends on the number of elements, original design work, animation technique, and versions needed. A short opener with supporting graphics is a different scope from a standalone title sequence developed as a film in its own right.
Photoreal 3D, simulation, and editable-toolkit development add to the work. Our guide covers the cost drivers and market ranges for both packages and titles: How broadcast design pricing works.
How long does a title sequence or broadcast design package take?
Timing depends on the element list, creative approach, and what’s already approved. A short typographic title involves different work from an original 3D sequence and a full graphics package.
The schedule includes design approval, animation, the music and edit, plus toolkit preparation and delivery checks where needed. Send your references, assets, premiere date, and editorial deadlines. We’ll map out the milestones and review time with your team.
Do you deliver toolkits our editors can actually use?
Yes. We deliver After Effects projects and Motion Graphics templates, or MOGRTs. Editors can update selected elements in Premiere, while the After Effects files provide access to the underlying animation.
We build controls around everyday changes such as names, headlines, and imagery, so your team can create the next episode’s graphics while preserving the show’s design and motion.
What's the difference between a title sequence and a show package?
The title sequence is the opening piece that introduces the show and establishes its tone through imagery, typography, animation, and music. The show package carries that identity through the rest of the episode: lower thirds, segment graphics, transitions, bumpers, credits, and editable templates.
We can create a standalone title sequence, develop the complete package, or build supporting graphics around an existing opening. Tell us what’s already in place and what your editors still need, and we’ll define the work around those gaps.
Do you design for streaming shows?
Yes. We design packages for streaming shows as well as linear broadcast. The same visual identity can carry through the series, promotional edits, and social cutdowns.
We account for the delivery requirements of each destination, including frame size, aspect ratio, and how text and graphics need to work within the picture. A lower third designed for a widescreen episode may need a different layout in a vertical promo.
Tell us where the show and its supporting content will appear, and we’ll include the necessary versions in the scope.
What’s the turnaround for a sizzle reel?
We plan around your pitch date. Timing depends on the usable footage, how clearly the story is defined, and how much original design or animation is needed. Building a concept reel with little existing material takes more development.
Music licensing, sound, and review rounds also need room in the schedule. Send the deadline, brief, and assets, and we’ll tell you what we can realistically create.
