top of page

Design

Let’s make the frame you can’t wait to show everyone.

Every animated thing you've ever liked was a still frame first, and somebody had to get that frame right. We develop the styleframes, systems, boards, and worlds your team needs to bring an idea into view. Bring the brief for exploration or the creative direction you've already set. Motion design is the heart of the practice, with design-only work available when your team is handling the build.

Trusted by the world's top companies:

  • Pitching an idea that people need to see before they can approve it.

  • Looking for a visual direction your production team can build from.

  • Working with an established brand that needs to carry into motion.

  • Developing boards or styleframes before committing to animation.

You're in the right place if you're:

Find the look that makes the brief click

Design services

Storyboards & pre-production design

Boards, animatics, and styleframes: the drawn plan of the film before the film. Boards solve problems early, while changes are still cheap, which is why we take them seriously.

Motion design

Designing for time: type, composition, and transitions conceived as choreography. The discipline underneath our motion graphics work.

Concept development

The idea before the artwork: territories, references, and the one-line thought a whole campaign can hang on. The aim is a direction your creative team can judge and your decision-makers can understand before production begins.

Add a Title

FAQ

Featured Projects

<p class="font_8" style="text-align: left">Garbanzo created animated educational videos for a teen audience as part of an ongoing relationship with RethinkEd. The work followed the client’s requirements through storyboards, styleframes and animation, with visual planning and the finished sequences developed as parts of the same production. The portfolio examples use characters, symbols and simple situations to give abstract ideas a visible form.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The visual range includes textured imagery, spare icon-based scenes, colorful geometric characters and hand-drawn figures. Each approach gives the learning material a different visual character. Garbanzo’s scope also included selecting and recording voice talent, editing the videos, and bringing in sound effects and stock music to complete the pieces.</p>

Kids Education Videos with RethinkEd

<p class="font_8" style="text-align: left">The Rugged Bros needed a brand that could travel from the product in someone’s hand to the storefront where they bought it. Beginning in 2016, Garbanzo helped create and launch the new grooming brand, bringing creative direction, product and package design, photography and commerce work into one coordinated assignment. Ornamental lettering, dark packaging and warm gold tones give the range a shared visual identity.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Product photographs make the brushes, bottles and boxes clear, while lifestyle imagery places them in a different, more personal setting. Shopify and Amazon-related storefront work carries the same identity into the buying experience. The original scope also included sourcing, manufacturing and fulfillment coordination, making this a broader brand-launch project whose visual work can be seen across both physical and digital applications.</p>

Rugged Bros Brand & Products

<p class="font_8" style="text-align: left">The chiller is inside the appliance, but the product film needs to let viewers see it. Garbanzo worked with The Cookware Company on GreenPan Frost, refining the supplied CAD model and animating an exploded assembly within live-action kitchen footage. The casing separates to reveal the internal components, with animated coolant flow providing an explanatory view of the built-in cooling system.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Making that view belong in the filmed scene required camera tracking, materials work and lighting matched to the set. The portfolio follows those decisions through grey-model tracking views, internal-model images and photoreal material tests. The finished commercial supplies the wider context, while the cutaway examples focus on Garbanzo’s product-animation and VFX contribution inside it.</p>

GreenPan Frost

<p class="font_8" style="text-align: left">Arch Public asked Garbanzo to turn its Bitcoin Arbitrage Algorithm into a 30-second 3D promo. Our concept, an “AI nerve center,” gave the software a visual presence: a dark control room of floating interfaces, charts and illuminated pathways, active while the film’s user sleeps. That visual metaphor supplied a distinctive world for the product story.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Garbanzo developed the concept, creative direction, design and animation. Trading graphics tie the imagined environment to the product, while purple and blue light connect the interface details to the larger scene. The selected frames and standalone UI clips show both scales of the work: an overall promotional world and the smaller animated elements that give it its character.</p>

"Money Never Sleeps"

<p class="font_8" style="text-align: left">This project began with a technical diagram and grew into a more expressive product sequence. The Cookware Company asked Garbanzo to visualize layered cookware construction: metal layers combining, an etched pattern appearing and coatings forming across the surface. As the scope expanded, camera movement and richer materials gave the explanation more room to work as product imagery.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The process included styleframes, environment studies and separate development of a fully CG egg slide. Reflective metal, close surface detail and the egg’s movement each needed their own visual tests before they could sit together in the sequence. The selected material shows both the technical construction and the cooking imagery, with experiments and unfinished tests presented alongside the more finished work.</p>

GreenPan Spectra

<p class="font_8" style="text-align: left">When the Aries Grid container changed, its visualizations needed to change with it. Garbanzo updated the enclosure model from the earlier ONE project, carrying the revised form into interior views, system layouts and environment scenes. The work keeps the product recognizable across close component views and the larger settings used to explain its place in an energy-storage system.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The revised enclosure appears in illustrated applications that include solar infrastructure, a hospital setting and nighttime storage arrays. Updated isometric imagery connects it with the surrounding power network. These product and use-case visualizations carry the revised geometry across the different scales of the presentation.</p>

Aries Grid (Updated)

<p class="font_8" style="text-align: left">Collaboration is easier to understand when you can follow what changes on screen. For BBH’s spring 2023 Google Workspace campaign, Garbanzo created interpretive UI animation within the films, continuing our work together on Google advertising. Shared documents, slide revisions and chat messages become visible actions within the stories around them.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The examples here include a team working through a colorful monster presentation and a group chat helping find a last pair of shoes. Interface layouts, collaborator names and reactions guide attention to the useful action without taking over the film. The recorded assignment also included animation-specific cutdowns for different spot lengths; the gallery presents selected films and shots from that wider scope.</p>

Google Workspace Ads (2023)

<p class="font_8" style="text-align: left">Aries Grid needed to be shown at more than one scale. Garbanzo worked with Our Next Energy on a 3D explainer and supporting visualizations of its utility-scale battery-storage system, moving from the details inside the battery enclosure to the industrial and renewable-energy settings around it. The creative task was to keep those views visually connected while making each scale useful to the explanation.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Detailed racks, cabling and interior camera moves bring the engineered product into focus. Photoreal environments and isometric diagrams then place it within a wider power network, while aerial site imagery shows a proposed facility in context. The portfolio also includes styleframes, unfinished development views and presentation examples, so the finished product imagery can be read alongside the work that shaped it.</p>

Aries Grid

<p class="font_8" style="text-align: left">FIS’s New Now Next presentation needed a graphic system that could keep moving through an extended virtual program. Garbanzo created background-panel animation, title cards and supers for a presentation described in the original brief as roughly 50 minutes long. Multiple screens and geometric set elements appeared in different camera framings, so the graphics had to work together while accommodating the presenters.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Reusable background loops established the visual language, with green, teal and cyan lines, particles and geometric forms carrying it across the set. Expression-driven title templates adjusted their animation to the amount of text entered. That approach made the many title and panel applications manageable within a consistent design system, rather than requiring a separate animation setup for every line of copy.</p>

"New Now Next"

<p class="font_8" style="text-align: left">A search interface has to do more than sit on screen when it is part of a story. For BBH USA’s 2021 Google Shopping campaign, Garbanzo animated the shopping UI inside a series of live-action films. The examples move from finding sunglasses to replacing a broken television, using recognizable searches and product information to connect a character’s situation with the next action.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The work spans the longer Sunglasses film and shorter spots built around individual shopping moments. Product cards, search imagery and transitions need to be readable within the edit while leaving room for the performances around them. This page brings those examples together to show Garbanzo’s interface-animation contribution within the larger BBH campaign.</p>

Google Shopping Ads (2021)

<p class="font_8" style="text-align: left">Our Next Energy’s Gemini announcement called for a teaser with a visual language as distinctive as its subject. Garbanzo collaborated with ONE’s team on the design and animation, building a TRON-inspired line treatment around the battery and a BMW iX silhouette. The film connects close component imagery with the larger vehicle idea through bright circuitry and moving pulses of light.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Dark reflective surfaces and cyan-blue lines give the sequence a consistent look as the camera changes scale. The selected frames let that design be examined beyond the pace of the film. Created for the 2022 prototype-announcement context, the teaser visualizes ONE’s plans to incorporate Gemini technology into a BMW iX.</p>

Gemini Teaser (for BMW iX)

<p class="font_8" style="text-align: left">Dentsu America came to Garbanzo with a UNIQLO promotion and a six-day animation deadline. Wonderqube turned a mystery-prize idea into a clean red-and-white world of moving boxes, with a 30-second brief that needed to carry the brand’s minimal, playful character. Dentsu had seen Garbanzo’s MTV graphics and brought that motion-design experience into the assignment.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The concept went through several cube arrangements before taking inspiration from the Alamo sculpture at Astor Place. Garbanzo worked with Dentsu in Cinema 4D and After Effects, animating mapped cubes into a larger formation that assembles and opens to reveal prizes. Bright, controlled lighting connects the 3D world to the clarity of UNIQLO’s retail imagery.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The visual system continued beyond the film into point-of-sale screens, signage and digital graphics for mobile, Facebook and the retail website. This portfolio brings those applications together with styleframes and making-of material, so the promotion can be seen as both a finished visual idea and a set of related design decisions.</p>

UNIQLO "Wonderqube"

<p class="font_8" style="text-align: left">Raúl Juliá: The World’s a Stage follows the actor’s career from Puerto Rico to New York, Broadway and Hollywood. Directed by Ben DeJesus and broadcast on PBS in 2019, the documentary supplies the context for the graphics presented here. The portfolio reel combines archival portraits, photographs, paper textures and title imagery in a treatment shaped around the film’s historical material.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Layered compositions and film-strip details give the still imagery movement while retaining its archival character. Warm paper and monochrome photographic treatments connect the individual images into a consistent graphic world. The reel offers a close view of these design and animation samples from the documentary.</p>

"Raúl Juliá: The World’s a Stage"

<p class="font_8" style="text-align: left">BBH USA invited Garbanzo back for Google’s 2022 Shopping campaign after the previous year’s collaboration. This assignment centered on four films: Cowboy Boots, Waffle Maker, Air Purifier and Hairdryer. Garbanzo created interpretive UI animation that made searches, product details and purchase decisions part of each live-action story.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">The 30-second Cowboy Boots film and three 15-second spots use a shared visual vocabulary with different information to communicate. Search and product cards take the lead in one execution; filters, review information and sale comparisons take the lead in others. The collection shows how interface animation can stay familiar across a campaign while following the pace and purpose of each film.</p>

Google Shopping Ads (2022)

<p class="font_8" style="text-align: left">Garbanzo directed a tradeshow video loop for Our Next Energy, presenting the Gemini modular battery through pack views and application diagrams. The animation pairs solid, color-coded modules with simplified vehicle and equipment outlines, giving viewers a consistent way to follow the different arrangements shown throughout the loop.</p>
<p class="font_8"><br></p>
<p class="font_8" style="text-align: left">Blue and yellow distinguish the two module types in the presentation, while diagrams place the packs alongside trucks, recreational equipment and other possible uses. Separate battery views bring the focus back to the individual units. Color coding and simplified outlines give the configurable product a repeatable visual language throughout the loop.</p>

Gemini Modular Tradeshow

Related specialties

Commercials & Ads

Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles.

Product Technical Videos

Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles.

Brand Packages

Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles.

Broadcast Design Packages

Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles.

Out of Home Experiential

Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles.

FAQ

Do you design logos and identities?

Can we use styleframes for approval before animation?

Do you take design-only projects?

Have something to design?

Bring the blank page. We love the blank page.

bottom of page