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Production Management

Bring the ambitious brief. We’ll work out what it takes.

A promising idea still needs a workable production plan. Garbanzo handles scoping, bidding, scheduling, asset wrangling, reviews, and delivery across animation, design, and VFX. Bring the requirements you know and the questions still open: the creative approach, budget, approvals, versions, and dates. We work with your team to turn them into a scope and schedule the project can run on.

Trusted by the world's top companies:

  • Turning an ambitious brief into a scope your team can approve.

  • Coordinating contributors whose work depends on one another.

  • Planning around client reviews, internal approvals, and a fixed delivery date.

  • Managing a growing list of versions, formats, and places the work has to run.

You're in the right place if you're:

Even a wild idea needs a delivery date

The schedule needs room for the creative work and the decisions that move it forward. A design review affects when animation can begin; an asset handoff affects what another team can build. We work through those dependencies with you, bringing the scope, budget, and review process into the same plan.


Your team can see what needs to be supplied, which decisions are coming, and how the versions fit into delivery. When a requirement changes, that shared plan gives us something concrete to discuss: the work affected and what needs to move with it.

Production management services

Pipeline & Delivery

Specs, codecs, naming, trafficking: the details nobody notices until they're wrong. We notice.

Animation-led video production

When we lead the whole video, concept through finishing, production management is the spine: bids, timelines, review cycles, versioning, and delivery of the agreed masters and formats.

Creative production

Management of animated and design-led projects, with the build, team reviews, and final approvals planned into the schedule.

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FAQ

Featured Projects

<p class="font_8" style="text-align: left">When the Aries Grid container changed, its visualizations needed to change with it. Garbanzo updated the enclosure model from the earlier ONE project, carrying the revised form into interior views, system layouts and environment scenes. The work keeps the product recognizable across close component views and the larger settings used to explain its place in an energy-storage system.</p> <p class="font_8"><br></p> <p class="font_8" style="text-align: left">The revised enclosure appears in illustrated applications that include solar infrastructure, a hospital setting and nighttime storage arrays. Updated isometric imagery connects it with the surrounding power network. These product and use-case visualizations carry the revised geometry across the different scales of the presentation.</p>

Aries Grid (Updated)

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<p class="font_8" style="text-align: left">Aries Grid needed to be shown at more than one scale. Garbanzo worked with Our Next Energy on a 3D explainer and supporting visualizations of its utility-scale battery-storage system, moving from the details inside the battery enclosure to the industrial and renewable-energy settings around it. The creative task was to keep those views visually connected while making each scale useful to the explanation.</p> <p class="font_8"><br></p> <p class="font_8" style="text-align: left">Detailed racks, cabling and interior camera moves bring the engineered product into focus. Photoreal environments and isometric diagrams then place it within a wider power network, while aerial site imagery shows a proposed facility in context. The portfolio also includes styleframes, unfinished development views and presentation examples, so the finished product imagery can be read alongside the work that shaped it.</p>

Aries Grid

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<p class="font_8" style="text-align: left">Raúl Juliá: The World’s a Stage follows the actor’s career from Puerto Rico to New York, Broadway and Hollywood. Directed by Ben DeJesus and broadcast on PBS in 2019, the documentary supplies the context for the graphics presented here. The portfolio reel combines archival portraits, photographs, paper textures and title imagery in a treatment shaped around the film’s historical material.</p> <p class="font_8"><br></p> <p class="font_8" style="text-align: left">Layered compositions and film-strip details give the still imagery movement while retaining its archival character. Warm paper and monochrome photographic treatments connect the individual images into a consistent graphic world. The reel offers a close view of these design and animation samples from the documentary.</p>

"Raúl Juliá: The World’s a Stage"

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Related specialties

Commercials & Ads

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Product Technical Videos

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VFX Shots Sequences

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Broadcast Design Packages

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Out of Home Experiential

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FAQ

Can you work inside our team's production process?

Yes. Bring your production schedule, review process, and delivery specs. We work with agency producers and in-house teams to plan the creative work, asset handoffs, and versions around those requirements.

How do you bid projects?

By scope, typically, and in phases for larger projects. In writing, with assumptions stated, so your team can review the scope and use it for internal approval or a client proposal.

Can you manage a project with filmed material in it?

Yes. We manage creative production end to end (animation, design, VFX, edit, color, sound, and delivery), including the post side of live-action-plus-animation projects. Tell us the shape of the job and we'll scope the management with it.

Have a deadline?

Tell us the date. We'll tell you what's possible by then — and what's possible a week later.

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